A charity showing of Herman Yau's newest movie prompts thoughts about exclusion, fairness, and societal duty in Hong Kong
Invited by a close friend, I was honored this past Saturday to attend a charitable film event organized by SideBySide, an independent nonprofit community organization.
The movie selected for the occasion was
We're Nothing At All
a newly launched emotional film directed by experienced filmmaker and writer Herman Yau Lai-to.
Although he is well-known for his commercially successful works, Yau does not hesitate to address social problems in his movies.
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Cinema enthusiasts are likely to recall his earlier creations, including
The Untold Story
(1993),
Ebola Syndrome
(1996),
From the Monarch to the Head of Government
(2001) and
Whisper and Moans
(2007), each focusing on various popular societal issues of that era.
His newest movie begins with a heartbreaking bus explosion in the center of town on Valentine's Day, when a double-decked vehicle detonates, killing numerous passengers.
A former forensic specialist, Lung (portrayed by Patrick Tam Yiu-man), is called upon to head a police inquiry regarding a fatal explosion. With help from a younger officer named Raymond (acted by Wong You-nam), Lung's examination uncovers the personal histories of two young individuals, Fai (performed by Anson Kong Ip-sang, a member of the boy group Mirror) and Ike (played by singer Ansonbean), each dealing with their own challenges in life.
Keeping the essence of the original message intact but using different wording:
This compelling film delves into complex issues like familial disapproval, household violence, financial hardship, exclusion, societal bias, and unfair treatment through the captivating relationship between Fai and Ike, without revealing key plot points.
The movie concludes with its main musical number,
God Blesses Us
(By Candy Lo), prompting the audience to reflect deeply.
In the discussion following the screening, Yau mentioned that the film's title was deliberately designed to allow for multiple interpretations. He was accompanied by Tam and Ansonbean, who discussed with the viewers their understanding of the roles they portrayed and the lessons they learned from participating in this demanding project.
The conversation continued to examine ways to increase support for underrepresented groups. Justice Poon Siu-tung, chairperson of the executive committee at SidebySide, urged every part of society to minimize stereotyping and discrimination, and to demonstrate greater respect towards those surrounding them.
Individuals involved in our criminal justice system will recognize the efforts of SidebySide throughout the years.
Founded in 1957, SidebySide highlights the significance of providing empathy and assistance to individuals who are marginalized or rejected by society. It offers various recovery programs for those involved with the legal system, former offenders, or other at-risk, susceptible populations, with the objective of improving their quality of life and achieving successful return to the community.
Apart from recovery programs, its offerings now include aspects like societal integration, psychological well-being, skill enhancement, cultural diversity promotion, and awareness campaigns.
Regarding public education, a particular acknowledgment should be given to SidebySide's Mock Trial Justice Education Program.
By participating in simulated court trials, held consistently since 2007 with assistance from legal experts and backing from educational institutions, individuals—such as high school pupils—are assigned positions like prosecutors, defense attorneys, accused persons, and eyewitnesses.
This allows them to develop a deeper comprehension and respect for the rule of law, the idea of fairness, unlawful actions, and community obligations.
Returning to the movie, one striking scene shows these words painted on a wall inside their modestly equipped converted apartment where Fai and Ike reside: "When there is an avalanche, no snowflake is innocent."
This particular scene is believed to be influenced by a well-known saying from the Polish-Jewish poet Stanislaw Jerzy Lec: "No snowflake in an avalanche ever feels responsible."
A typical understanding of this phrase suggests that during a widespread crisis, each person blames others, believing their individual role was too small to have made a difference.
As the camera moves downward, the inscription on the wall states: "On this lovely day, we conclude our less-than-lovely existence."
There is no question that this remains just as relevant now. Numerous disasters might have been prevented if all individuals had accepted their responsibilities and put in more effort. A key lesson I've drawn from
We're Nothing At All
Is it possible that if each person takes greater efforts to prevent widespread indifference, our society would certainly transform into a more pleasant place to reside?
Eugene Yim SC once served as an honorary secretary and financial officer for the Hong Kong Bar Association, and he specializes in civil litigation.
"Legal Tales" is a weekly feature written by senior figures from the Hong Kong Law Society, offering their insights on contemporary issues.
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The article was first published on the South China Morning Post (www.scmp.com), a top-tier news outlet covering stories about China and Asia.
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